![]() ![]() This is a major time benefit when each user is assigned a specific task. As for collaborative support, Resolve allows multiple people to work together on the same timeline at the same time. The trimming tool is context sensitive, meaning that based on where you position the mouse cursor on the timeline, Resolve will automatically switch to the trimming function you need, so you can ripple, roll, slip, slide, or extend and shorten your footage without having to manually switch tools. The editing functionality in Resolve is designed to handle TV dramas, commercials, multi-camera productions, and all other project types from the smallest to largest. This is the core of Resolve’s color grading functionality, and there are hundreds of advanced features and capabilities in addition, such as grading from raw Files, automatic color matching, and 3D tracking. In all, you can combine grades, effects, mixers, keys, and plug-ins in any order to create limitless color effects and unique looks. If you lose the dongle through the gap in the floor that the rats chainsawed out, your kids take it out into the sandpit for a playtoy and lose it or the dog eats it and deposits the remains elsewhere, then you are just as comprehensively screwed.Resolve is a node-based color grading system - nodes being similar layers - where each node can have color correction, isolated areas (power windows), and effects, and in which unlimited numbers of nodes can be joined together sequentially or in parallel. If a dongle lays down, you have something tangible to hand back in for replacement. The ARRI LUT works quite well as a sub for the original Speedgrade On Set default look. My sulk has been mollified by the fact that free Resolve now does everything I was able to do with Cineform/Premiere CS6 for SI2K footage. I remain a bit sore over the Cineform registrations which went AWOL when the business was sold to GoPro, a scriptwriting software activation that went AWOL when the enterprise went belly-up, another scripting software which was eaten by a competitor and closed down, a Premiere CS2 registration that evaporated along with any other proof along with the computer. I started off with free Resolve then chose the studio version for the extra benefits which enabled my geriatric editing computer to render out faster. This is the very reason I chose the USB dongle option versus a digital key. ![]() Perhaps try one of the private sellers who own several Blackmagic cameras and therefore have several Studio numbers which they sell off cheaper than list price. Looks like you may have to spend money though. ![]() However still no way to find the number for future use and would be convoluted having to further update everything on the new PC (which you will have backed up obviously).Īs far as I know Blackmagic does not save the number on your PC but just in case - there are some apps that will find hidden license details in full. Then maybe Resolve will recognise your Studio ownership. Windows recognised that the PCs were still licensed so I did not need to go through that extra stage. I can't recall whether these transferred the various software as well as the Windows system but I think they did so. I may have done that a long time ago with Acronis when I updated a couple of PCs from spinning C Drives to SSDs. I guess it may be possible to use the appropriate software to copy and transfer the entire system from the old PC (which you still have) to the newer PC, much as many PC sellers recommend when shipping new PCs. ![]()
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